Sightlines · reception

How The Death of Robin Hood was received

2026 · Michael Sarnoski · The Death of Robin Hood on Sightlines

The arc

Too new for a reappraisal arc — it landed in June 2026 as A24's grim, revisionist swing at the legend and split critics on arrival: 'the Unforgiven of Robin Hood movies' to admirers, a self-serious slog to detractors. The Letterboxd crowd adopted it as a discourse object from day one.

What’s debated

Is stripping Robin Hood of the tights, the merry men and even 'steal from the rich' a bold act of myth-excavation, or joyless prestige grimness — and is Jackman just doing Logan again in chainmail?

Its footprint

Its cultural currency so far is the 'Logan comparison' — every review and podcast reached for Jackman's other dying-legend swan song — plus the instantly shareable pitch that it's the Unforgiven of Robin Hood movies.

Where it stands

A newborn canon-contender: the kind of divisive, director-driven A24 release Letterboxd users log early and argue about, with its long-term standing still wide open.

Did you know? Sarnoski built the film from the medieval ballad 'Robin Hood's Death' he'd read as a kid, setting it in a real 1274 and deliberately discarding the famous bits — 'steal from the rich,' the Crusades, Richard the Lionheart — because all of them were bolted onto the legend centuries later.

Named by the director

  • Robin Hood (1973) — Sarnoski has said Disney's animated version was part of his childhood entry into the legend, and it sits on his published Letterboxd list of ten influences.
  • The Virgin Spring (1960) — Named on Sarnoski's official Letterboxd list of ten films that influenced his take — Bergman's stark medieval tale of violence and faith.
  • Valhalla Rising (2009) — On Sarnoski's published Letterboxd influences list — Refn's brutal, near-wordless medieval odyssey.
  • The Revenant (2015) — On Sarnoski's published Letterboxd influences list — Iñárritu's visceral wounded-man survival epic.
  • The Assassination of Jesse James by the Coward Robert Ford (2007) — On Sarnoski's published Letterboxd influences list — another elegy about the gap between an outlaw and his legend.
  • Days of Heaven (1978) — On Sarnoski's published Letterboxd influences list — Malick's natural-light pastoral lyricism.
  • Phantom Thread (2017) — On Sarnoski's published Letterboxd influences list — an intimate, thorny two-hander between a difficult man and his caretaker.
  • The Princess Bride (1987) — The list's curveball: named on Sarnoski's official Letterboxd influences list — a storybook adventure about how tales get told and retold.

A Deleuzian reading of The Death of Robin Hood →