Sightlines · reception
How The Royal Tenenbaums was received
2001 · Wes Anderson · The Royal Tenenbaums on Sightlines
The arc
Warmly received in 2001 (an Oscar nod for the screenplay and Anderson's biggest box office hit to that point), it has since hardened into the consensus pick for peak Wes Anderson — the film even his skeptics tend to allow.
What’s debated
It's the perennial exhibit in the 'is Anderson twee or genuinely devastating?' fight — and the go-to entry whenever film fans rank his work, usually battling Rushmore and Grand Budapest for the top spot.
Its footprint
Margot Tenenbaum — fur coat, kohl eyeliner, barrette — is a perennial Halloween costume, and the matching Adidas tracksuits and slow-motion 'These Days' bus scene are among the most gif'd and homaged images in 2000s cinema.
Where it stands
A Letterboxd-era staple and canonical 2000s American indie: the Anderson film you're assumed to have seen.
Did you know? Anderson wrote Royal specifically for Gene Hackman and pursued him for over a year despite Hackman's repeated refusals; Hackman was famously prickly on set but won a Golden Globe for the role — one of the last great performances before his retirement.
Named by the director
- The Magnificent Ambersons (1942) — Anderson cited Welles's narrated chronicle of a great family's decline as a key model for the film's structure and storybook narration.
- The Fire Within (1963) — Anderson has pointed to Louis Malle's portrait of quiet despair as the touchstone for the film's darkest sequence.