
2025 · Joseph Kosinski
How F1 has been received, argued over, and remembered.
Opened summer 2025 as the movie that finally cracked Apple's theatrical curse — critics called it formulaic but irresistible, audiences made it a word-of-mouth juggernaut, and within months it settled into 'best big-screen experience of the year' status rather than any real reappraisal arc.
The forever-debate: is it a glorious old-school Bruckheimer blockbuster or just Top Gun: Maverick with the jets swapped for cars — a 155-minute luxury-brand commercial elevated by IMAX and Hans Zimmer?
The clunky official title 'F1: The Movie' became a running joke ('what's it about?'), the fictional APXGP team spawned real merch drops, and 'see it in IMAX or don't bother' became its unofficial tagline.
An instant entry in the dad-cinema/theatrical-maximalism canon — the 2025 'you had to see it loud' movie, logged endlessly on Letterboxd next to Rush and Ford v Ferrari.
Influences Joseph Kosinski has publicly named — the director's own word, distinct from the inferred lines of influence.