Sightlines · reception

How Jojo Rabbit was received

2019 · Taika Waititi · Jojo Rabbit on Sightlines

The arc

It split critics hard out of the gate — 'anti-hate satire' was mocked as a marketing tagline even as it won the TIFF People's Choice Award — then rode that audience love to six Oscar nominations and a Best Adapted Screenplay win. The critic-audience gap never really closed; it just settled into the film's identity.

What’s debated

The forever-debate: is it a daring Holocaust satire or a sentimental, defanged one that lets its audience off easy — with Waititi's imaginary Hitler as Exhibit A for both sides?

Its footprint

Taika Waititi in the Hitler costume is the endlessly screenshotted image, and the Gestapo house-visit scene — a domino chain of 'Heil Hitler's — became one of the most clipped comedy scenes of its year. The opening, cutting Nazi rally footage to a German-language Beatles cover, is a much-referenced needle drop.

Where it stands

A Letterboxd-era crowd-pleaser: hugely beloved by the site's younger user base as a cry-then-laugh favorite, while remaining a film serious-critic types love to roll their eyes at.

Did you know? Waititi — who is Jewish on his mother's side — said he did no research whatsoever to play Hitler, because 'he didn't deserve it'; the script had also been kicking around since landing on the 2012 Black List of best unproduced screenplays.

Named by the director

  • The Great Dictator (1940) — Waititi repeatedly invoked Chaplin's Hitler satire as the tradition he was working in when defending the film's premise.
  • Mel Brooks — Waititi cited Brooks' history of mocking Hitler (The Producers) as precedent for using ridicule as a weapon against Nazism.

A Deleuzian reading of Jojo Rabbit →