Sightlines · reception

How The Boy and the Heron was received

2023 · Hayao Miyazaki · The Boy and the Heron on Sightlines

The arc

Landed in Japan in 2023 as a deliberate mystery and left early audiences half-awed, half-baffled — 'gorgeous but what did I just watch' was the going take. Then it swept the Golden Globe and the Oscar, and the rewatch crowd increasingly reads it as Miyazaki's late-style summation rather than a muddle.

What’s debated

The forever fight: is this a top-five Miyazaki — his most personal, death-haunted film — or a beautiful jumble that coasts on reputation next to Spirited Away?

Its footprint

Its release strategy became legend before the film did: no trailer, no ads, just a single cryptic heron poster. And it feeds the internet's favorite running joke — Miyazaki announcing his 'final film' and then un-retiring yet again.

Where it stands

An instant canon entry and Letterboxd event film — the rare 'late masterpiece' released directly into cinephile reverence, with its exact rank in the Miyazaki pantheon still being argued.

Did you know? Studio Ghibli released it in Japan with essentially zero marketing — no trailers, no TV spots, not even a synopsis, just one poster — and it still opened huge; months later it won Miyazaki his second Best Animated Feature Oscar, which he didn't attend, just like the first.

A Deleuzian reading of The Boy and the Heron →