
1999 · Takeshi Kitano
How Kikujiro has been received, argued over, and remembered.
Cannes 1999 didn't quite know what to do with it — critics expecting another stone-faced Kitano crime film found a gentle road comedy instead, and it left the festival empty-handed. It's since become one of his most beloved films, a reappraisal helped enormously by Joe Hisaishi's score seeping into the wider culture.
The perennial Kitano-fan split: is this too sentimental and saggy compared to Sonatine and Hana-bi, or is the softness precisely the point?
Joe Hisaishi's 'Summer' theme has completely escaped the film — it's a piano-recital staple and one of the most instantly recognizable pieces of film music in East Asia, hummed by millions who've never seen the movie it came from.
The gateway Kitano — the comfort-film of his catalogue and a Letterboxd favourite, the one you hand to people frightened off by his yakuza pictures.
Influences Takeshi Kitano has publicly named — the director's own word, distinct from the inferred lines of influence.