Sightlines · reception

How Nosferatu was received

2024 · Robert Eggers · Nosferatu on Sightlines

The arc

It arrived as a Christmas Day 2024 counterprogramming hit — a gothic horror remake that made over $180M worldwide and picked up four Oscar nominations — and just eighteen months on it's already settling in as the 'goth Christmas movie' people plan annual rewatches around.

What’s debated

The eternal fight: does any remake justify standing next to Murnau's 1922 original and Herzog's 1979 version — and, more heatedly, was giving Count Orlok that mustache a stroke of folkloric genius or a fatal mistake?

Its footprint

The mustache discourse consumed film Twitter for weeks, the marketing's refusal to show Orlok's face became its own conversation, and the film's release sent the old SpongeBob 'Nosferatu!' gag meme back into circulation.

Where it stands

An instant Letterboxd darling and canon climber — the consensus pick for Eggers' most accessible film, already a fixture on 'gothic horror essentials' and alt-Christmas lists.

Did you know? Eggers staged Nosferatu as a high-school play in New Hampshire at 17 — it was successful enough to be restaged professionally, kicked off his lifelong obsession, and he spent nearly a decade (from about 2015, with earlier casts attached and falling through) trying to get this film made.

Named by the director

  • Nosferatu (1922) — Eggers built his film directly on Murnau's silent original — the story, character names, and imagery he'd been obsessed with since his teens.
  • F.W. Murnau — Eggers has repeatedly cited Murnau as the foundational figure whose film he was answering, calling the 1922 Nosferatu the movie that made him want to be a filmmaker.
  • Nosferatu the Vampyre (1979) — Eggers publicly acknowledged Herzog's remake as a version he loves and had to reckon with, while insisting his own film worked primarily from Murnau.

A Deleuzian reading of Nosferatu →