Sightlines · reception

How King Kong was received

2005 · Peter Jackson · King Kong on Sightlines

The arc

A hit with critics in 2005 but branded a mild disappointment against its huge budget and post-LOTR expectations; two decades on it's increasingly reclaimed as one of the most sincere, heartfelt blockbusters of its era.

What’s debated

The eternal fight: is it a lush, emotional epic or simply an hour too long — with the slow first act and the Skull Island bug pit as the flashpoints?

Its footprint

The Central Park ice-skating scene and the Empire State Building finale imagery are endlessly shared and referenced, and the film stands as a landmark in Andy Serkis-era motion capture, bridging Gollum and the later Apes films.

Where it stands

A 'they don't make them like this anymore' favorite — the go-to example when film fans argue about maximalist, big-hearted 2000s blockbusters getting reappraised.

Did you know? Andy Serkis played two roles: he performance-captured Kong himself and also appears on screen as Lumpy the cook — and Jackson had first tried to make King Kong in the mid-90s before Universal shelved it, only reviving it after The Lord of the Rings.

Named by the director

  • King Kong (1933) — Jackson has said seeing the original at age nine is what made him want to become a filmmaker, and he called the remake a lifelong dream project.
  • Willis O'Brien — Jackson repeatedly cited the original's stop-motion animator as a hero, even recreating the lost 'spider pit' sequence as a tribute for the 1933 film's DVD.
  • Ray Harryhausen — Jackson has named Harryhausen as a formative influence on his love of creature effects and fantasy spectacle.

A Deleuzian reading of King Kong →