
2026 · Mark Jenkin
How Rose of Nevada has been received, argued over, and remembered.
Premiered at Venice 2025 to near-unanimous acclaim (a 99% on Rotten Tomatoes), then rode TIFF, NYFF and the LFF into its 2026 release — no reappraisal needed, it arrived as Mark Jenkin's most celebrated film out of the gate.
The Jenkin split, again: is the hand-cranked, post-dubbed style hypnotic or mannered — critics agreed it's a spell, but even admirers concede it's 'unlikely to convert any agnostics.'
Its calling card in the discourse is the image itself: two of Britain's starriest young actors, George MacKay and Callum Turner, rendered as fishermen in scratchy, hand-developed 16mm — a ghost ship that looks like it sailed out of another century of cinema.
Instantly slotted into the 'Cornish weird' canon alongside Bait and Enys Men — a festival-circuit favourite that confirmed Jenkin as a you-either-get-it-or-you-don't auteur.
Influences Mark Jenkin has publicly named — the director's own word, distinct from the inferred lines of influence.