Sightlines · reception

How Dawn of the Planet of the Apes was received

2014 · Matt Reeves · Dawn of the Planet of the Apes on Sightlines

The arc

Acclaimed on arrival in 2014 as that rarest thing — a sequel better than the original — and it's only climbed since, now routinely cited as proof that a mega-budget franchise film can be genuinely great, with the Caesar trilogy canonized as one of the century's best blockbuster runs.

What’s debated

The perennial fight: Andy Serkis's Caesar as the great Oscar injustice of the motion-capture era — plus the eternal trilogy-ranking squabble over whether Dawn or War is the peak, and whether the human characters are the weak link.

Its footprint

'Apes together strong' escaped the film entirely — it became the rallying cry of the GameStop/WallStreetBets 'apes' in 2021, and the image of Koba on horseback remains one of the most memed blockbuster shots of the 2010s.

Where it stands

A modern-canon blockbuster — the film people point to when arguing franchise cinema can be art, and the consensus heart of a trilogy cinephiles treat as essential.

Did you know? The film opens with roughly ten dialogue-free minutes of apes communicating in subtitled sign language — a bold ask for a summer tentpole that the studio let Matt Reeves keep, and it became one of the most praised stretches of the movie.

A Deleuzian reading of Dawn of the Planet of the Apes →