
2002 · Dean DeBlois
How Lilo & Stitch has been received, argued over, and remembered.
A modest sleeper hit in 2002 while Disney's other hand-drawn films (Atlantis, Treasure Planet) were flopping, it's since been canonised as the bright spot of the studio's post-Renaissance slump — and the 2025 live-action remake only intensified affection for the original.
Fans recurringly argue over whether it's the last truly great hand-drawn Disney film — and whether Stitch's transformation into a merchandising mascot has obscured what a strange, melancholy, personal movie it actually is.
"Ohana means family. Family means nobody gets left behind or forgotten" is one of the most quoted Disney lines of its era, and Stitch himself became a global merchandise and theme-park juggernaut arguably bigger than the film itself.
A millennial touchstone and reliable Letterboxd favourite, widely held up as the best Disney film of the early 2000s and a high-water mark for the studio's dying hand-drawn tradition.
Influences Dean DeBlois has publicly named — the director's own word, distinct from the inferred lines of influence.