
1924 · Buster Keaton
How Sherlock Jr. has been received, argued over, and remembered.
In 1924 it was reviewed as a middling Keaton programmer and did unremarkable business; today it's routinely called one of the greatest films of the silent era, a fixture of Sight & Sound polls and film-school syllabi.
The perennial fan debate is whether this or The General is peak Keaton — and, one ring out, whether Keaton or Chaplin is the true king of silent comedy.
The sequence where Keaton steps into a movie screen is one of cinema's most referenced images — the acknowledged ancestor of The Purple Rose of Cairo and shorthand for every film-about-film since.
At 45 minutes it's the classic gateway silent — the 'you must have seen this' pick that tops Letterboxd's silent-era favourites and converts skeptics to Keaton.