
2000 · John Fawcett
How Ginger Snaps has been received, argued over, and remembered.
Barely released theatrically and dogged by post-Columbine hand-wringing over its teen-horror premise, it built a slow-burn cult through DVD and word of mouth — and is now routinely canonised as one of the great feminist horror films, name-checked in every 'horror and puberty' conversation since.
The perennial fan debate is whether the werewolf-as-womanhood metaphor is brilliantly literal or too on-the-nose — and whether Jennifer's Body ever escaped its shadow or just inherited its audience.
'Out by sixteen or dead in this scene, together forever' has become a goth-girl motto quoted across fan art, tattoos, and Letterboxd bios, and the Fitzgerald sisters' morbid death-scene photo project is one of the most screenshotted opening sequences in cult horror.
A certified cult classic and Letterboxd darling — the 'you must see this' entry point of feminist horror, beloved enough to have spawned two back-to-back sequels for its faithful.
Influences John Fawcett has publicly named — the director's own word, distinct from the inferred lines of influence.