
1940 · George Cukor
How The Philadelphia Story has been received, argued over, and remembered.
A smash on release — it was one of 1940's biggest hits and won two Oscars — so its arc isn't rediscovery but durability: it's the comeback story, the film that took Katharine Hepburn from 'box office poison' to untouchable, and it's never really left the canon since.
The perennial fight is over the film's gender politics — whether Tracy Lord is lovingly humanized or condescendingly 'taken down a peg' — plus the eternal Grant-vs-Stewart debate over which suitor fans are actually rooting for.
It's the crown jewel of the screwball/comedy-of-remarriage tradition, endlessly quoted ('My, she was yare'), and its afterlife includes the 1956 musical remake High Society with Grace Kelly, Bing Crosby, and Sinatra.
A 'you must have seen this' pillar of classic Hollywood — a fixture of best-comedy lists and a reliable Letterboxd favourite whenever anyone dips into the golden age.