Sightlines · reception

How The Magnificent Seven was received

1960 · John Sturges · The Magnificent Seven on Sightlines

The arc

It actually underwhelmed at the US box office and got lukewarm reviews in 1960, but was a smash in Europe — and decades of TV airings turned it into one of the most beloved westerns ever made.

What’s debated

The eternal cinephile debate: is it a worthy Hollywood translation of Seven Samurai or just a glossy shadow of Kurosawa's masterpiece — and did the 2016 remake make people appreciate it more?

Its footprint

Elmer Bernstein's galloping theme is one of the most recognizable pieces of film music ever written — so iconic it spent years as the Marlboro cigarette jingle. The film also cemented the 'assembling the team' template that everything from war movies to heist films still runs on.

Where it stands

A cornerstone 'you must have seen this' western — the ultimate gateway drug to the genre, and a launchpad-cast movie (McQueen, Bronson, Coburn, Vaughn) that film fans love to point at.

Did you know? Akira Kurosawa loved the film so much he sent John Sturges a ceremonial Japanese sword as a gift — meanwhile, on set, Steve McQueen kept inventing bits of hat-fiddling and shell-rattling business to steal scenes from a furious Yul Brynner.

Named by the director

  • Seven Samurai (1954) — Sturges openly made the film as a western remake of Kurosawa's epic, transplanting its farmers-hire-warriors story to a Mexican village.

A Deleuzian reading of The Magnificent Seven →