
2022 · Brett Morgen
How Moonage Daydream has been received, argued over, and remembered.
Landed at Cannes 2022 as an instant event — the first film sanctioned by Bowie's estate — and was praised as a sensory overload best experienced in IMAX, though a vocal minority found it exhausting. Just a few years on it's already settled in as the 'right' Bowie film, the anti-biopic people point to whenever a lazy jukebox biopic drops.
The perennial fight: is it a transcendent, church-like immersion in Bowie, or two-plus hours of gorgeous collage that tells newcomers almost nothing about the man — style over biography?
It became the rare documentary people insisted you see in IMAX with the volume up, treated less like a movie than a planetarium show or séance — and it's now the standard rebuttal cited against conventional music biopics.
A Letterboxd favourite of the 2020s doc wave — the 'you had to see it loud' film that Bowie devotees treat as canon and casual viewers bounce off.