
2002 · Phillip Noyce
How Rabbit-Proof Fence has been received, argued over, and remembered.
Acclaimed on release and a winner of the AFI Best Film prize, it immediately became a flashpoint in Australia's 'history wars,' with conservative columnists attacking its accuracy while much of the country embraced it. Two decades on it's settled into the canon as THE Stolen Generations film — required viewing in Australian classrooms.
The fight it still generates is less among film fans than about history itself — whether it's truthful testimony or emotional manipulation — plus the milder cinephile gripe that school-assigned 'worthy' status undersells how well-made it is.
The image of three small girls walking the endless fence line across the outback is one of Australian cinema's most recognisable frames, and the film became a cultural touchstone in the national reconciliation debate that preceded the government's 2008 apology to the Stolen Generations. Peter Gabriel's score ('Long Walk Home') gave it a life beyond the film.
A fixture of the Australian national canon and a 'you must have seen this' of Indigenous-story cinema, even if it's more revered than rewatched internationally.