
2004 · Stephen Chow
How Kung Fu Hustle has been received, argued over, and remembered.
A smash on arrival — it broke Hong Kong box-office records and became the highest-grossing foreign-language film in the US in 2005, with Roger Ebert comparing it to 'Jackie Chan and Buster Keaton meet Quentin Tarantino and Bugs Bunny.' Two decades on it's less a curio than a comfort classic: for many Western millennials it was the gateway drug to Hong Kong cinema.
The eternal Chow-fan debate: is this or Shaolin Soccer his masterpiece — with a side quarrel over whether the early-2000s CGI has aged into charm or into a problem.
The Axe Gang's synchronized top-hat dance became an instantly recognizable meme, and the chain-smoking Landlady in hair curlers is one of 2000s cinema's great comic icons — the Looney Tunes-style chase between her and Chow is endlessly clipped and shared.
A 'you must have seen this' title — a Letterboxd crowd-pleaser that sits comfortably in the canon of great action-comedies and serves as many viewers' first Hong Kong film.
Influences Stephen Chow has publicly named — the director's own word, distinct from the inferred lines of influence.