
1965 · Sergio Leone
How For a Few Dollars More has been received, argued over, and remembered.
Dismissed by most American critics on its 1967 US release as just another violent 'spaghetti western' cash-in, it's since been reclaimed as the moment Leone's style fully arrived — and a fixture near the top of best-western lists.
The evergreen trilogy debate: is this actually better than The Good, the Bad and the Ugly? A vocal contingent of fans insists the middle Dollars film is Leone's tightest.
Morricone's chiming pocket-watch theme — a musical duel built into the story itself — became one of cinema's most imitated standoff devices, echoed and homaged in westerns and beyond ever since.
The cinephile's pick of the Dollars trilogy: less famous than its sequel, but the one film buffs love to champion as the connoisseur's Leone.