
1990 · Luc Besson
How Nikita has been received, argued over, and remembered.
A stylish hit in France that some critics initially wrote off as glossy 'cinéma du look' excess, it's now recognised as the ur-text of the female-assassin movie — the template every Atomic Blonde, Red Sparrow and Anna is still working from.
The perennial fight: is Nikita a genuinely great action heroine or Besson's male-gaze fantasy of one — style-over-substance for some, pure pop-cinema pleasure for others.
Few films have been remade this relentlessly: Hollywood redid it as Point of No Return (1993) within three years, and it spawned two TV series (La Femme Nikita in 1997, Nikita in 2010) — plus Jean Reno's ice-cold 'cleaner' Victor became one of cinema's most riffed-on fixer archetypes.
A cornerstone of 90s Euro-cool and the film cinephiles point to whenever a new 'lethal woman' thriller drops — 'Nikita did it first' is practically a Letterboxd reflex.