
2024 · Payal Kapadia
How All We Imagine as Light has been received, argued over, and remembered.
No reappraisal needed — it arrived canonised: Grand Prix at Cannes 2024 (the first Indian film ever to win it, and the first in competition in three decades), then topped Sight & Sound's best-of-2024 poll. The twist is at home, where it got only a modest Indian theatrical run after all that global noise.
The fight it generates: India's Film Federation passed it over for the Oscars, with jury talk that it felt like 'a European film set in India' — igniting an ongoing debate about whether it's authentically Indian cinema or festival-circuit arthouse wearing a Mumbai skin.
Its blue, rain-soaked nocturnal Mumbai became one of 2024's most-screenshotted looks, and the Oscar-snub discourse turned the film into shorthand for everything wrong with India's selection process; even Barack Obama put it on his 2024 favourites list.
Instant modern canon — a consensus 'film of 2024' on critics' polls and a Letterboxd darling, the rare slow arthouse film that became a must-see for casual film fans almost overnight.