
1972 · Costa-Gavras
How State of Siege has been received, argued over, and remembered.
Denounced on release as anti-American agitprop and famously yanked from the American Film Institute's opening program at the Kennedy Center in 1973, it's since been vindicated — its claims about US complicity in Latin American torture were later substantiated, and a Criterion release sealed its reappraisal as the underseen third panel of Costa-Gavras' political trilogy.
The perennial fight: is it fearless political journalism in thriller form, or does it stack the deck — humanizing its kidnappers while putting its victim on trial?
It's the movie people cite whenever US 'police advisors' in Latin America come up — a fiction film that ended up functioning as evidence in the real-world debate, released just months before Pinochet's coup in the very country (Chile) where it was shot.
A political-cinema deep cut: everyone's seen Z, the heads have seen The Confession, and this is the 'complete the trilogy' badge for Costa-Gavras completists.