
1999 · John McTiernan
How The Thomas Crown Affair has been received, argued over, and remembered.
A solid, grown-up hit in summer 1999 that critics graded as 'better than the original remake' — mild praise at the time. Now it's been canonised as the poster child for the extinct sexy mid-budget movie for adults, and a key exhibit in the McTiernan auteur reappraisal.
The perennial fight: is this the rare remake that beats the original, with the Brosnan/Russo pairing outclassing McQueen/Dunaway — or stylish gloss on a cooler 1968 classic?
The museum finale — dozens of bowler-hatted men multiplying like Magritte's 'Son of Man' while Nina Simone's 'Sinnerman' pounds away — is one of the most gif'd and referenced heist sequences ever, and it did more for that song's pop-culture afterlife than almost anything else. Rene Russo's wardrobe still gets cited in 'best costume design of the 90s' lists.
A beloved comfort-watch and Letterboxd shorthand for 'they don't make movies for adults anymore' — plus a fixture in McTiernan-was-an-auteur discourse.