
1953 · Byron Haskin
How The War of the Worlds has been received, argued over, and remembered.
A genuine hit in 1953 — it won the Oscar for special effects and was one of the year's biggest sci-fi draws — and unlike most of its atomic-age peers it never needed rescuing: it went straight into the canon and was added to the National Film Registry in 2011.
Fans still argue over George Pal's heavy religious framing — churches, hymns, salvation — which purists say softens H.G. Wells's far more secular novel.
The copper manta-ray war machines with their cobra-head heat rays are among the most imitated designs in sci-fi, and the film's eerie sound effects were recycled across decades of movies and TV; Spielberg's 2005 remake is in constant conversation with it.
The definitive 1950s alien-invasion movie — the one every subsequent invasion film, from Independence Day to Mars Attacks!, is either honoring or spoofing.