
2011 · Shinya Tsukamoto
How Kotoko has been received, argued over, and remembered.
It won the top prize in Venice's Orizzonti section in 2011, then promptly vanished into distribution limbo — over a decade later it's been steadily reclaimed by fans as one of Tsukamoto's very best, the devastating one hiding behind the Tetsuo reputation.
The perennial fight: is this one of cinema's most compassionate portraits of mental illness, or an ordeal so punishing it tips into cruelty toward its own audience?
A cult object within a cult filmography — the deep-cut Tsukamoto that fans press on you after Tetsuo with the warning 'this one actually hurts.'