
2002 · José Padilha
How Bus 174 has been received, argued over, and remembered.
Acclaimed from the start on the 2002 festival circuit, it's since hardened into a fixture of the documentary canon — and gained a second life as the origin point of José Padilha's career, the film that led straight to Elite Squad and eventually Hollywood.
The perennial debate: does the film's deep sympathy for the hijacker constitute excuse-making, or is its indictment of Brazilian society exactly the point?
It arrived the same year as City of God and the two became the twin pillars of Brazil's early-2000s cinema breakthrough — one fiction, one documentary, endlessly paired in essays and lists about urban violence and media spectacle.
A best-documentaries-of-the-2000s list regular and a 'you must see this' among doc heads — less famous than City of God, but arguably more haunting to those who've seen both.