
2008 · Martin McDonagh
How In Bruges has been received, argued over, and remembered.
A modest box-office performer in early 2008 (it opened Sundance to warm but not rapturous notices), it snowballed via word of mouth and DVD into one of the most beloved dark comedies of its decade — now routinely cited as an all-timer of the hitman genre and re-boosted when Farrell, Gleeson and McDonagh reunited for The Banshees of Inisherin.
Fans perennially argue over whether its gleefully un-PC jokes are the point (characters we're meant to judge) or an aging liability — the classic problematic-fave tension.
Endlessly quoted — 'It's a fairytale town, isn't it?' and 'Maybe that's what hell is: the entire rest of eternity spent in f***ing Bruges' — and the film famously did for Bruges tourism roughly the opposite of what Ray's reviews suggested it would.
A word-of-mouth cult classic turned consensus favourite — the 'you must have seen this' entry point to Martin McDonagh.
Influences Martin McDonagh has publicly named — the director's own word, distinct from the inferred lines of influence.