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Moulin Rouge! poster

Moulin Rouge! · reception & legacy

2001 · Baz Luhrmann

How Moulin Rouge! has been received, argued over, and remembered.

The arc

It opened Cannes 2001 to genuinely split reviews — the hyper-caffeinated editing was called everything from exhilarating to unwatchable — yet it landed eight Oscar nominations including Best Picture. Now it's credited with single-handedly reviving the movie musical, clearing the runway for Chicago and two decades of jukebox shows.

What's debated

The eternal fight is over the first twenty minutes: is the strobe-cut maximalism a bold overture that filters out cowards, or proof Luhrmann won't hold a shot long enough to let you feel anything?

Its footprint

"The greatest thing you'll ever learn is just to love and be loved in return" became a yearbook-quote staple, the Elephant Love Medley and El Tango de Roxanne live forever on playlists and in edits, and the film spawned a Broadway adaptation that won the Tony for Best Musical.

Where it stands

The capstone of Luhrmann's Red Curtain Trilogy and a Letterboxd sleepover classic — the movie musical people who claim to hate musicals will still go to bat for.

★ Did you know? "Come What May," the film's only original love song, was ruled ineligible for the Best Original Song Oscar — because Luhrmann had originally written it for Romeo + Juliet.