
2009 · Peter Jackson
How The Lovely Bones has been received, argued over, and remembered.
Savaged on release in 2009 as the big misfire between Jackson's King Kong and The Hobbit — critics found the CGI afterlife kitschy and the tone wobbly — and it hasn't been rescued since; it remains a 'fascinating failure' rather than a rehabilitated classic.
The eternal fight: whether Jackson's candy-colored digital 'In-Between' is a bold visualization of the novel or the exact thing that smothers its grief — with a side debate over Stanley Tucci being genuinely great in a film everyone else agrees doesn't work.
Its main cultural afterlife is the collective shudder that Stanley Tucci — the internet's beloved cocktail-making sweetheart — gave one of the most skin-crawling screen predators of the 2000s; 'My name was Salmon, like the fish' still gets quoted from the book's famous opening.
Filed under 'notorious auteur misfire' — watched now mostly by Saoirse Ronan and Peter Jackson completists, and by Letterboxd users rubbernecking at how a great director adapted a mega-bestseller into a flop.