
2006 · Rakeysh Omprakash Mehra
How Rang De Basanti has been received, argued over, and remembered.
A blockbuster event from the moment it opened on Republic Day 2006, it was instantly hailed as the film that woke up Bollywood's youth-politics conscience — and two decades on it's settled in as a defining 2000s Hindi film, though its politics get re-litigated with every rewatch.
The perennial fight is over the ending — whether the film's radical final act is a galvanising gut-punch or an irresponsible fantasy about what protest should look like.
Its candlelight vigil at India Gate leapt off the screen into real life — the Jessica Lal murder protests months later borrowed the image wholesale, and it's been the visual grammar of Indian public mourning-as-protest ever since; A.R. Rahman's soundtrack ('Khalbali', 'Khoon Chala', 'Luka Chuppi') remains inescapable.
A 'you must have seen this' pillar of the 2000s Bollywood canon and a favourite gateway film for anyone getting into Hindi cinema.