
1973 · Federico Fellini
How Amarcord has been received, argued over, and remembered.
A hit from the start — it won Fellini his fourth Best Foreign Language Film Oscar and was embraced as a warm return to form after the chillier Roma. Today it's held up as the last unambiguous masterpiece of his career, the sweet spot before the late-Fellini debates begin.
The perennial fight: is it a gorgeous act of nostalgia or a sly critique of nostalgia itself — a film about how fascism thrives on people who never grow up — with fans split on whether the episodic, plotless drift is the whole point or a self-indulgent flaw.
The peacock spreading its tail in the snow and the townsfolk rowing out at night to glimpse the ocean liner Rex are two of the most referenced images in European cinema, and Nino Rota's carousel-like theme is instantly recognisable even to people who've never seen the film.
Firmly canonical — a Criterion staple and a fixture of best-of-the-70s lists, it's the 'gateway Fellini' many cinephiles recommend before 8½.