Sightlines · reception

How Spies was received

1928 · Fritz Lang · Spies on Sightlines

The arc

A solid hit in 1928 — it put Lang back on commercial footing after Metropolis's ruinous budget — Spione then spent decades in Metropolis's shadow before restorations recast it as the blueprint of the entire spy-thriller genre.

What’s debated

The perennial Letterboxd fight: is this Lang's most underrated masterpiece or a brilliant 90-minute thriller trapped in a 150-minute runtime?

Its footprint

Every trope of the spy movie — the master villain running a secret empire, numbered agents, seductive double agents, tradecraft gadgets — is already here, three decades before Bond, and fans love pointing out how little the genre has added since.

Where it stands

A deep-cut Lang for people who've done Metropolis and M — the silent film cinephiles hand you when you say you like spy movies.

Did you know? Spione was the first film from Lang's own production company, set up after Metropolis's colossal cost soured his relationship with Ufa — made far more cheaply, it became a genuine box-office success.

A Deleuzian reading of Spies →