
1949 · Thorold Dickinson
How The Queen of Spades has been received, argued over, and remembered.
Well reviewed in 1949 but overshadowed and then half-forgotten for decades — until a restoration and Martin Scorsese's vocal championing pushed it back into the conversation as one of the great British supernatural films.
The perennial cinephile gripe: how is a film this good — and its director, Thorold Dickinson — still this obscure?
Its main cultural currency is as the connoisseur's ghost story, routinely name-checked alongside The Innocents on 'best supernatural films' lists and carried into wider view by Scorsese's endorsement.
A cult 'you must see this' object of British gothic — beloved by those who've found it, still waiting on the audience it deserves.