Sightlines · reception

How Mad Max: Fury Road was received

2015 · George Miller · Mad Max: Fury Road on Sightlines

The arc

A rare case of no reappraisal needed: hailed on arrival in 2015 as an instant action classic, it won 6 Oscars and has only climbed since — now routinely topping best-of-the-2010s and best-action-film-ever lists.

What’s debated

The perennial fan debate: is Max a supporting character in his own movie — and is that a flaw or precisely the point, since Furiosa is the real protagonist?

Its footprint

"WITNESS ME!", "What a lovely day", "Mediocre!" and the flame-throwing Doof Warrior guitarist are all permanent internet fixtures — the film became shorthand for 'this is how you do practical-effects action.'

Where it stands

A Letterboxd and film-Twitter darling that entered the modern canon almost immediately — the consensus 'greatest action film of the 21st century' pick.

Did you know? George Miller had his wife Margaret Sixel edit the film despite her never having cut an action movie, reasoning it wouldn't 'look like every other action movie' — she won the Oscar for Best Film Editing.

Named by the director

  • Buster Keaton — Miller repeatedly cited Keaton's silent-era chase comedies as the model for Fury Road's visual, near-wordless action storytelling.
  • Alfred Hitchcock — Miller invoked Hitchcock's dictum that a film should be understandable 'in Japan without subtitles' as his guiding principle for the movie.

A Deleuzian reading of Mad Max: Fury Road →