
2025 · Benny Safdie
How The Smashing Machine has been received, argued over, and remembered.
Premiered at Venice 2025 to a huge tearful ovation and instant Oscar-frontrunner buzz for Dwayne Johnson, then face-planted at the box office with one of the worst wide-release openings of his career — the awards narrative deflated almost as fast as it inflated.
The endless debate: is Johnson's transformation a genuinely great performance trapped in a deliberately muted, undramatic movie, or does the film's restraint prove the hype was for the stunt casting rather than the film?
The unrecognizable-Rock-in-prosthetics stills and the clip of Johnson crying through the Venice standing ovation did more cultural rounds than the film itself — it became shorthand for the 'movie star begs to be taken seriously' arc.
Too new for a settled place, but among cinephiles it's already fixed as Exhibit A in the Safdie-brothers-split discourse — Benny's solo statement, endlessly compared against whatever Josh does without him.
Influences Benny Safdie has publicly named — the director's own word, distinct from the inferred lines of influence.