
1993 · Takeshi Kitano
How Sonatine has been received, argued over, and remembered.
Ignored in Japan on release — audiences couldn't accept TV comedian 'Beat' Takeshi as a deadpan gangster auteur — it found its life abroad after screening at Cannes, and is now widely ranked among Kitano's very best films.
The eternal Kitano-heads debate: is Sonatine or Hana-bi his masterpiece — and is its long, 'nothing happens' middle stretch the whole point or a test of patience?
The image of stone-faced yakuza killing time on an Okinawan beach — paper sumo, frisbee, sand traps — is the film's calling card, endlessly screencapped and referenced as shorthand for Kitano's whole vibe.
A cult classic turned canon climber — the go-to 'start here' Kitano film for Letterboxd cinephiles and a fixture on 90s world-cinema must-see lists.