
1995 · Clint Eastwood
How The Bridges of Madison County has been received, argued over, and remembered.
In 1995 the shock was that anyone — least of all Clint Eastwood — could make a good movie out of Robert James Waller's much-mocked bestseller; critics called it the rare film that improves on its source. Three decades on it's been fully canonised as one of Eastwood's finest and one of the great grown-up American romances.
The perennial fight: is this a swooning defense of an affair or a clear-eyed film about duty and sacrifice — and does the famous ending destroy you or manipulate you?
The rain-soaked truck scene — a hand hesitating on a door handle at a red light — is one of cinema's most referenced tearjerker moments, and the story's afterlife even includes a Tony-winning Broadway musical adaptation.
A former 'mom movie' turned certified cinephile weepie — now a staple of best-romance lists and routinely named the atypical masterpiece of Eastwood's filmography.