
2004 · Alfonso Cuarón
How Harry Potter and the Prisoner of Azkaban has been received, argued over, and remembered.
Fans grumbled in 2004 that Cuarón cut too much of the book, and it remains the lowest-grossing Potter film — yet twenty years on it's the consensus pick for the best of the series, the moment the franchise grew up.
The eternal split: is it the best Potter *film* or the worst Potter *adaptation*? Book loyalists still litigate the missing Marauders backstory while cinephiles call it the series' only real auteur work.
It's the shorthand example for 'hand your franchise to an auteur' — the Cuarón-does-Potter move that studios have been chasing ever since — and the reason non-Potter people will concede one film in the series is genuinely good.
The cinephile-approved Potter: routinely the highest-rated of the eight on Letterboxd and the default answer to 'which one holds up?'