
2004 · Kamal Haasan
How Virumaandi has been received, argued over, and remembered.
Released for Pongal 2004 under a cloud of protest — it had to shed its original title before it even hit screens — and earned strong reviews but only decent business; two decades on it's routinely ranked among Kamal Haasan's finest hours as a director and one of the great Tamil films of the 2000s.
The fight that never dies: is it a humanist statement against the death penalty, or does its Madurai machismo end up romanticising the very caste pride it claims to interrogate?
Pasupathy's Kothala Thevar entered the Tamil villain pantheon overnight, the jallikattu sequence is still the reference point for bull-taming on screen, and Ilaiyaraaja's 'Onna Vitta Yaarum Yenakilla' remains a folk-song staple far beyond the film.
A fixture of 'essential Tamil cinema' lists and a favourite exhibit whenever cinephiles argue that actor-Kamal was matched by director-Kamal.