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The Tin Drum · reception & legacy

1979 · Volker Schlöndorff

How The Tin Drum has been received, argued over, and remembered.

The arc

It arrived a double champion — sharing the 1979 Palme d'Or with Apocalypse Now and winning West Germany its first-ever Best Foreign Language Film Oscar — and it's still held up as the crowning moment of New German Cinema's international breakthrough, though today it gets talked about less than Herzog or Fassbinder.

What's debated

The evergreen debate is whether the film's use of an actual child actor in its more adult, grotesque material crosses a line — a controversy that boiled over when a 1997 Oklahoma court briefly ruled the film obscene and police seized copies from video stores, a decision later overturned.

Its footprint

Oskar's glass-shattering scream and the little tin drum are indelible images of postwar European cinema, and the notorious eel scene remains a rite-of-passage 'you'll know it when you see it' moment; the Oklahoma seizure also made the film a fixture in American censorship and First Amendment lore.

Where it stands

A Palme d'Or and Oscar double-winner that sits firmly in the arthouse canon — the 'important, you must eventually see it' pillar of New German Cinema rather than a cozy rewatch favourite.

★ Did you know? David Bennent, who plays Oskar, was only around 11 when he was cast — and his real father, actor Heinz Bennent, appears in the film too.