
1999 · Bruno Dumont
How Humanité has been received, argued over, and remembered.
Booed and jeered at Cannes 1999 — where David Cronenberg's jury nonetheless handed it the Grand Prix plus both acting prizes, to open scandal — it's since been reappraised as one of the great slow-cinema works and arguably Dumont's masterpiece.
The eternal fight: is it a transcendent, near-spiritual experience or punishingly inert — and did that Cannes jury lose its mind or see the future?
Emmanuel Schotté's unblinking, wounded stare has become one of arthouse cinema's indelible faces, and the film itself is shorthand for 'the most controversial Cannes prize haul ever.'
A canon-climber and slow-cinema rite of passage — the Dumont film cinephiles dare each other to sit with.