
1970 · Otakar Vávra
How Witchhammer has been received, argued over, and remembered.
Banned almost immediately after its 1970 premiere — 1.5 million Czechoslovaks saw it before the normalization regime pulled it from theatres, and it stayed shelved until 1989; it has since been rediscovered abroad as a cornerstone of witch-trial cinema via Second Run and Severin's folk-horror box set.
The tension fans can't let go of: how did Otakar Vávra — the ultimate regime survivor who worked comfortably under every Czechoslovak government — make cinema's most unsparing allegory of communist show trials?
It's become a fixture of the folk-horror revival, included in Severin's celebrated 'All the Haunts Be Ours' compendium and routinely name-checked alongside Witchfinder General and The Devils in the witch-trial cinema canon.
A 'you must see this' deep cut for folk-horror completists and Czech cinema heads — less famous than the New Wave classics, but ferociously admired by those who find it.