
2004 · Mel Gibson
How The Passion of the Christ has been received, argued over, and remembered.
In 2004 it was a full-blown cultural event — protests, op-eds, church groups buying out entire theaters — and it shocked Hollywood by grossing over $600M on Gibson's own money. Two decades on it's still radioactive: a devotional Easter staple for some, while much of film culture views it through the lens of the controversies and Gibson's later scandals.
The forever-debate: is it a sincere, formally audacious devotional work or two hours of punishing violence — and can anyone rate it separately from Mel Gibson?
It essentially invented the modern faith-based box office — Hollywood chased 'Passion dollars' for years afterward — and it remains the go-to example of a subtitled, dead-language, R-rated film becoming a monster hit. Easter-season re-releases and church screenings keep it in annual circulation.
A 'you must have an opinion on this' film more than a 'you must see this' film — one of the most divisive wide-release hits in Letterboxd memory, with ratings that say as much about the reviewer as the movie.