Sightlines · reception

How To Catch a Killer was received

2023 · Damián Szifron · To Catch a Killer on Sightlines

The arc

Arriving nine years after Wild Tales made Damián Szifron an international name, this was greeted with a shrug — mixed reviews and a quiet release — and it hasn't been reappraised so much as absorbed as a streaming-era procedural people stumble onto.

What’s debated

The recurring fight is 'how did the Wild Tales guy make something this somber and conventional?' — with defenders insisting it's a deliberately mournful, underrated slow-burn rather than a generic serial-killer thriller.

Its footprint

Its main cultural footprint is as a cautionary tale in the 'brilliant foreign director goes Hollywood' conversation; Ben Mendelsohn's weary FBI profiler is the element people consistently single out.

Where it stands

On Letterboxd it lives as a curiosity in Szifron's filmography — the footnote between Wild Tales and whatever he does next, watched mostly by completists.

Did you know? The film was originally titled 'Misanthrope' — a name that fits its worldview far better — before being renamed To Catch a Killer for its US release; it was also Szifron's English-language debut after nearly a decade away, much of it spent on a Six Million Dollar Man reboot that never got made.

A Deleuzian reading of To Catch a Killer →