
2021 · Jane Campion
How The Power of the Dog has been received, argued over, and remembered.
Landed at Venice 2021 as an instant critics' darling (Campion took the directing prize) while half the audience called it slow and plotless; then it led the Oscars with 12 nominations and won just one — and losing Best Picture to CODA has only grown into a 'the Academy got it wrong' talking point since.
The eternal split: is it a coiled, note-perfect masterpiece or a beautifully shot film where 'nothing happens' — with the CODA upset relitigated every awards season.
Its biggest cultural moment came off-screen: Sam Elliott's podcast rant dismissing the film's 'allusions to homosexuality' and its cowboys' chaps, and Jane Campion's cool 'he's not a cowboy, he's an actor' reply, became defining awards-season discourse — Elliott later apologised.
A canon climber: the modern revisionist-western touchstone that made Campion the first woman nominated twice for Best Director, and a fixture of 'they gave Best Picture to the wrong film' lists.