
1924 · F. W. Murnau
How The Last Laugh has been received, argued over, and remembered.
Acclaimed on arrival in 1924 and never really dethroned — it's the film that got Murnau his Hollywood invitation, and a century on it's still the textbook example silent-cinema courses reach for when they want to show what the camera could suddenly do.
The tacked-on happy ending, reportedly imposed by the studio: is it a cynical cop-out that betrays the film, or a sly, self-aware joke that Murnau and screenwriter Carl Mayer smuggled past everyone?
This is the birthplace of the 'unchained camera' — Karl Freund's swooping, prowling cinematography (famously including that descending-elevator opening) became the move every ambitious director had to steal, and the uniform-as-identity image still gets invoked whenever film people talk about clothes making the man.
A film-school rite of passage and silent-canon essential — less quoted by casual viewers than Nosferatu or Sunrise, but among cinephiles it's firmly in the 'you must have seen this' tier of Murnau.