
1976 · Joseph Losey
How Mr. Klein has been received, argued over, and remembered.
It left Cannes 1976 empty-handed (the year Taxi Driver took the Palme) and underwhelmed at the French box office, despite winning the César for Best Film and Best Director. The 2019 restoration and subsequent Criterion release completed its climb from respected-but-neglected to widely-acclaimed masterpiece.
Fans go back and forth on Losey's glacial detachment — is the film's iciness its genius or does it keep you at arm's length? — with the ending a perennial discussion-starter.
It's become the go-to citation for the 'Kafkaesque identity thriller,' and its willingness to stare down French collaboration — still a raw subject in 1976 France — gives it a political charge that keeps it in the conversation.
A canon climber: long a cinephile's secret, now a post-restoration Letterboxd favourite routinely called Delon's greatest performance.