
1950 · Roberto Rossellini
How The Flowers of St. Francis has been received, argued over, and remembered.
Dismissed by many Italian critics in 1950 as a slight, naive detour after Rossellini's war trilogy, it was later championed by Truffaut and Pasolini and is now widely ranked among Rossellini's greatest films.
The perennial split: is its simplicity profound or just simple — and do you need faith to love it, with devout and secular cinephiles each claiming it as theirs?
A touchstone of spiritual cinema — it made the Vatican's 1995 list of 45 great films, and Martin Scorsese lovingly showcased it in My Voyage to Italy as essential Rossellini.
A canon climber turned quiet cinephile favourite: the Criterion-approved 'holy fool' movie that gets recommended as the gentlest, funniest entry point into neorealism.