
2020 · Aaron Sorkin
How The Trial of the Chicago 7 has been received, argued over, and remembered.
Landed in October 2020 as the timeliest movie in America — protests in the streets, an election weeks away — and rode that wave to six Oscar nominations. It's since settled into 'awards-season artifact' status: the heat cooled fast once the moment passed, and it's now discussed more as peak Sorkin-does-history than as a keeper.
The perennial fight: is Sorkin's snappy, speechifying rewrite of history rousing crowd-pleasing or a middlebrow smoothing-over of a much angrier, messier true story — with his treatment of Bobby Seale and the punch-the-air ending as Exhibit A.
'The whole world is watching' — the real 1968 chant the film re-amplified — became shorthand for it, and Jeremy Strong's spaced-out Jerry Rubin and Sacha Baron Cohen's Abbie Hoffman one-liners are the bits people actually quote and meme.
A textbook 'remember that Best Picture nominee?' entry — widely seen, respectably rated, but filed by cinephiles under Sorkin's writing rather than anyone's list of essentials.