
1974 · Luis Buñuel
How The Phantom of Liberty has been received, argued over, and remembered.
Landing between the Oscar-winning Discreet Charm and his swan song, it was received in 1974 as the 'lesser' middle child of Buñuel's late French trilogy — but it's since been reclaimed as maybe the purest, most radical distillation of his surrealism, and a Criterion-canonised essential.
The eternal late-Buñuel debate: is this the diluted sibling of The Discreet Charm of the Bourgeoisie, or the superior film precisely because it refuses even the pretence of a plot?
The dinner party where guests sit on toilets around the table and sneak off to a private room to eat is one of cinema's most referenced satirical images — the go-to citation whenever anyone wants to illustrate how arbitrary social norms are.
A 'you must have seen this' entry in the surrealist canon and a Letterboxd favourite for fans of plotless, relay-structure cinema — the deep cut that late-Buñuel devotees swear by over the more famous Discreet Charm.